| Born | 1925 - 2006 |
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| Education |
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| 1960-2005 | Regular visits to U.K. for research & field studies |
| 1996 | Artist in Residence, Arthur Boyd's Riversdale |
| 1992 | Master of Art (painting) College of Fine Arts, University of NSW |
| 1991 | Post Graduate Diploma (painting) College of Fine Arts, University of NSW |
| 1987-90 | Diploma of Fine Arts (painting) National Art School, Sydney |
| 1950-52 | Batchelor of Law Melbourne University |
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| Solo Exhibitions |
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| 2006 | War and its Echoes, King Street Gallery on Burton, Sydney
So Much Time, King Street Gallery on Burton |
| 2000 | Happenings, King Street Gallery on Burton |
| 1998 | On Reflection, King Street Gallery on Burton |
| 1996 | Watch on the Shoalhaven, King Street Gallery on Burton |
| 1994 | Still Lifes and Landscapes, King Street Gallery on Burton |
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| Selected Group Exhibitions |
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| 2006 | Last Show of the Year, King Street Gallery on Burton |
| 2005 | Last Show of the Year, King Street Gallery on Burton |
| 2004 | Last Show of the Year, King Street Gallery on Burton |
| 2003 | Last Show of the Year, King Street Gallery on Burton |
| 2001 | Floating, King Street Gallery on Burton
Views, King Street Gallery |
| 2000 | Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne |
| 1999 | Last Show of the Year, King Street Gallery on Burton |
| 1998 | Last Show of the Year, King Street Gallery on Burton
Gallery Artists, King Street Gallery on Burton |
| 1997 | Gallery Artists, King Street Gallery on Burton
Gallery Artists, King Street Gallery on Burton
First Night, King Street Gallery |
| 1996 | Gallery Artists, King Street Gallery on Burton |
| 1995 | Summer Exhibition, King Street Gallery |
| 1994 | Four New Artists, King Street Gallery |
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| Selected Bibliography |
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| 1998 | Smee, Sebastian: Review, Metro - The Sydney Morning Herald, November |
| 1996 | McDonald, John: Memories of many in one, The Sydney Morning Herald, 24 August |
| 1994 | Delarulle, Jacques: Art Exhibition (Sydney), The Independent Monthly
Delarulle, Jacques: Use-by date, The Sydney Review, July |
