CV | David Keeling
| Born | |
| 1951 | |
| Education | |
| Other |
Board member and Chair Chameleon Contemporary Art Space, and CAST Tasmania |
| Board member of the Tasmanian Arts Advisory Board |
|
| 1992-2000 | Board member and Chair of Artbank Advisory Board, Sydney |
| 1999 | Masters Fine Art, RMIT, Melbourne |
| 1981 | Post Graduate Diploma, Alexander Mackie, Sydney |
| 1973-76 |
Bachelor of Visual Art, Tasmania School of Art, Hobart |
| Selected Solo Exhibitions | |
| 2011 |
After the Rain King Street Gallery on William, Sydney |
| 2010 | Three sixty degrees, the Landscapes of David Keeling, Deakin University Gallery, Melbourne |
| 1987-2009 | 22 solo exhibitions Niagara Galleries, Melbourne and Bett Gallery, Hobart |
| 2004 | 360o Liverpool Street Gallery, Sydney |
| 2003 | Love Song Carnegie Gallery, Hobart |
| 1998 | Perfect World Niagara at Mary Place, Sydney |
| 1991 | David Keeling University of Tasmania, Launceston |
Selected Group Exhibitions |
|
| 2011 |
On This Island King Street Gallery on William, Sydney |
| 2010 |
The Wynne Prize (finalist) AGNSW |
| On this island, meeting and parting Hazelhurst Regional Gallery, Sydney and touring Bowen Gallery Wellington, New Zealand | |
| Look out curated by Michael Edwards, Jane Stewart, Tasmania Museum and Art Gallery, Hobart |
|
| 2009 |
A natural world Glenn Eira City Council, Melbourne |
| The Wynne Prize (finalist) AGNSW | |
| 2008 |
The Wynne Prize (finalist) AGNSW |
| 2007 |
Cuisine and country curated by Gavin Wilson, Orange Regional Gallery and touring |
| 2006-07 |
An island south Asia Link touring Asia, Australia |
| 2004 | Imaging the Apple Ballarat Fine Art Gallery, Victoria and touring |
| 2000 |
Art and Land, Contemporary Austrlaian Visions curated by Kevin Wilson, Noosa Regional Gallery, Queensland, touring Asia and Australia |
| 1999 |
Pets, Prey and Predators curated by Victoria Hammond, Dubbo Regional Gallery, NSW and touring |
| 1997 | Recent Acquisitions of Contemporary Australian Art curated by John McPhee, National Gallery of Victoria, Melbourne |
| 1996 |
Cabinet pictures Jason and Rhodes Gallery, London |
| 1995 |
New Territories Jason and Rhodes Gallery |
| Brushing the Dark curated by Victoria Hammond, Tasmanian Museum and Art, Hobart and touring | |
| 1993 | Three contemporary Australian artists- works on paper Tasmanian Museum and Art Gallery |
| 1992 |
Redescubriemiento, Rediscovery, Australian Artists in Europe 1982-1992 curated by Jonathon Holmes, Selville Expo, Spain, Australian Embassy, Paris & Australian Council, Sydney |
| The New Metaphysical curated by Felicity Fenner, Ivan Dougherty Gallery, Sydney |
|
| 1990 | Witness curated by Kevin Murray, Gertrude Street Gallery, Melbourne and touring |
| The City and Beyond curated by Elizabeth Cross, La Trobe University Gallery Melbourne and touring |
|
| 1989 | New painting acquisitions National Gallery of Australia, Canberra |
| Genius Loci, Tasmanian painting curated by Nick Waterlow, Plimsoll Galler, University of Tasmania, Hobart and touring | |
| 1987 |
Fabrications curated by Juliana Engberg, Chameleon Contemporary Art Space, Hobart touring George Paton Gallery, Melbourne and Praxis, Perth |
| Grants/ Prizes |
|
| 2006 | Winner, Glover Prize, Evandal, Tasmania |
| 2001 | Overseas Development Grant, British School at Rome studio, VACB, Sydney |
| 1999 |
Winner, Inaugural John Leslie Art Prize, Gippsland Art Gallery |
| 1993-95 | Overseas Development Grant, London studio, VACB, Sydney |
| 1991 | Winner, Hobart City Art Prize |
| 1989 |
Community Projects Grant (Union Banner), VACB, Sydney |
| 1988 |
Special Projects Grant, Tasmanian Arts Advisory Board, Hobart |
| 1987 |
Special Projects Grant, Tasmanian Arts Advisory Board, Hobart |
| Collections | |
| Allen, Allen and Hemsley, Sydney |
|
| Artbank, Sydney |
|
| Art Gallery of South Australia |
|
| Art in Public Buildings, Hobart | |
| Bankers Trust, Melbourne | |
| Deakin University, Melbourne |
|
| Devonport Regional Gallery, Tasmania |
|
| Gippsland Regional Gallery, Victoria |
|
| Macquarie Bank, Sydney |
|
| Monash University, Melbourne |
|
| Myer Collection, Melbourne |
|
| National Gallery of Australia, Canberra |
|
| National Gallery of Victoria, Melbourne |
|
| Queen Victoria Museum and Art Gallery, Launceston |
|
| Tasmania Museum and Art Gallery, Hobart |
|
| The Derwent Collection, Hobart |
|
| The Esk Collection, Launceston |
|
| The Tamar Collection, Launceston |
|
| University of Tasmania, Hobart and Launceston |
|
| Western Mining Corporation, Melbourne |
|
| Selected Bibliography | |
| 2010 | Timms, Peter: ‘Three sixty degrees, the landscapes of David Keeling’ Exhibition Catalogue |
| 2007 | Hansen, David: ‘David Keeling, Monograph’ Quintus Publishing, Hobart |
| 2003 |
Payes, Sonia: ‘Untitled, portraits of Australian artists’ Macmillan |
| 2001 | Smith, B., Smith, T & Heathcote, C: ‘Australian Painting’ Oxford University Press |
| 1994 |
Murray Cree, L & Drury, N: ‘Australian Painting Now’, Craftsman House |
| Williams, D & Simpson, C: Art Now (Contemporary Art Post 1970) McGraw Hill | |
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